Swan Scythe Press, founded by poet Sandra McPherson, now edited by James DenBoer, announces its 2012 Poetry Chapbook contest. Submissions will be accepted between January 15, 2012 - June 15, 2012. Any poet writing in English is eligible to submit. Winner will receive publication, $200, and 25 copies of a perfect-bound chapbook with full-color cover. See details of submission at www.swanscythe.com/contest.html
A blog of announcements for Seattle Poets Gathering. A social group of poets and other writers based in Seattle, we meet every two weeks, Sunday afternoons, alternatively at Brouwer's in Fremont and The Pine Box on Capitol Hill. Meetings are free and open to the public. Please join us!
Apr 30, 2012
Apr 29, 2012
Call for submissions: Ginger Piglet
We want your most lively, vivid, voicy shit. We also want your 50 word bios. We really do. It's no trick. Put them in the cover letter.
Ginger Piglet is now accepting submissions for its monthly online edition. Submissions are now on a rolling basis. Wait until you hear from us before submitting again.
Send us your best previously unpublished and brief: flash, miniature, sentence, review, audio, video, essay, prose poem, interview, photo, poem, comic, letter, list (Christmas, grocery and otherwise) or combination thereof.This work can be real or fake. This work can be humorous or serious; love or hate; surreal or realist; connected or disconnected; political or not; dark or light (um, like meat or toast). This work must have voice. Please simultaneously submit. Let us know if your piece is accepted elsewhere.
We would like to bring you fame and notoriety, but we can't. Make us a 50 word or less bio of the most important and interesting words that also includes a link to your tweeter/blog/website. Unless you don't do that. If you don't do that, we suggest you start, immediately.
Someday we hope to pay, even if a small amount, to our contributors, but we can't do that either. We will publish once online and then archive your piece, maybe forever (this is negotiable). Mention us if your work should be published elsewhere.
We are also looking for Column Proposals: What would you like your column to be about? This can be of your own design and your columns from month to month can flit around the topic (ie, they don't have to be directly related, but they need to have some vague focus). The column doesn't have to be of literary nature, but GP is of course a literary magazine. I can give you an idea of GP's general interests in life, if you like, but primarily we're looking for strong, energetic, voiced writing with an interesting view on things (whatever those things are). Shoot me some ideas.
Send in the cover letter:
A potential title.
A syllabus of potential column ideas.
As attachment:
Two writing samples.
We want to know what's going on in your head and an idea of where you're headed.
Submit at gingerpigletpress.submishmash.com
Read current submissions at gingerpiglet.com
Ginger Piglet is now accepting submissions for its monthly online edition. Submissions are now on a rolling basis. Wait until you hear from us before submitting again.
Send us your best previously unpublished and brief: flash, miniature, sentence, review, audio, video, essay, prose poem, interview, photo, poem, comic, letter, list (Christmas, grocery and otherwise) or combination thereof.This work can be real or fake. This work can be humorous or serious; love or hate; surreal or realist; connected or disconnected; political or not; dark or light (um, like meat or toast). This work must have voice. Please simultaneously submit. Let us know if your piece is accepted elsewhere.
We would like to bring you fame and notoriety, but we can't. Make us a 50 word or less bio of the most important and interesting words that also includes a link to your tweeter/blog/website. Unless you don't do that. If you don't do that, we suggest you start, immediately.
Someday we hope to pay, even if a small amount, to our contributors, but we can't do that either. We will publish once online and then archive your piece, maybe forever (this is negotiable). Mention us if your work should be published elsewhere.
We are also looking for Column Proposals: What would you like your column to be about? This can be of your own design and your columns from month to month can flit around the topic (ie, they don't have to be directly related, but they need to have some vague focus). The column doesn't have to be of literary nature, but GP is of course a literary magazine. I can give you an idea of GP's general interests in life, if you like, but primarily we're looking for strong, energetic, voiced writing with an interesting view on things (whatever those things are). Shoot me some ideas.
Send in the cover letter:
A potential title.
A syllabus of potential column ideas.
As attachment:
Two writing samples.
We want to know what's going on in your head and an idea of where you're headed.
Submit at gingerpigletpress.submishmash.com
Read current submissions at gingerpiglet.com
Call for Poetic Films: Poetry International
Poetry International - Call for Poetry Films
Poetry International is committed to inspiring new generations of poetry readers and to helping them engage with contemporary poetry. Each issue offers voices from many cultures, in multiple styles and genres of poetry both written in and translated into English.
We are looking for artistic, experimental, and challenging film/video interpretations of poetry that explore the intersection of poetic and cinematic expression. Selected work will be published online in the cinépoetry section of Poetry International.
For submission guidelines please visit:
http://poetryinternational.sdsu.edu/cinepoetry_submissions.htm
Poetry International is committed to inspiring new generations of poetry readers and to helping them engage with contemporary poetry. Each issue offers voices from many cultures, in multiple styles and genres of poetry both written in and translated into English.
We are looking for artistic, experimental, and challenging film/video interpretations of poetry that explore the intersection of poetic and cinematic expression. Selected work will be published online in the cinépoetry section of Poetry International.
For submission guidelines please visit:
http://poetryinternational.sdsu.edu/cinepoetry_submissions.htm
Apr 28, 2012
Book contest: Sage Hill Press
Sage Hill Press is accepting manuscripts for the 2012 Powder Horn Prize, a first book award.
Entrants should not previously have published a full-length manuscript.
Online submissions link: http://sagehill.submishmash.com/submit
Entry fee: $20
Entry deadline: June 1, 2012
Final judge: Laurie Lamon
Winner receives $250 and 50 copies of the book
If mailing your entry, make checks payable to Sage Hill Press and send to 1848 W. Bridge Avenue, Spokane, WA 99201.
The winner of the 2011 Powder Horn Prize was Marci Rae Johnson's The Eyes the Window, selected by Christopher Howell.
Entrants should not previously have published a full-length manuscript.
Online submissions link: http://sagehill.submishmash.com/submit
Entry fee: $20
Entry deadline: June 1, 2012
Final judge: Laurie Lamon
Winner receives $250 and 50 copies of the book
If mailing your entry, make checks payable to Sage Hill Press and send to 1848 W. Bridge Avenue, Spokane, WA 99201.
The winner of the 2011 Powder Horn Prize was Marci Rae Johnson's The Eyes the Window, selected by Christopher Howell.
Call for submissions: Lunch Ticket
Lunch Ticket is a biannual journal published by the MFA community of Antioch University of Los Angeles, a program that is devoted to the education of literary artists, community engagement, and the pursuit of social justice. We are pleased to announce that we are officially open for submissions for our debut issue!
Although the editors of Lunch Ticket share the MFA program's mission and values, our commitment is to publish the best literary writing, regardless of subject matter or theme. The theme of Lunch Ticket's debut issue is "Occupy"; however, we will be considering submissions of all thematic content for inclusion in the publication.
We accept simultaneous submissions. We only ask that you please contact us if your piece is published somewhere else so we might free up room for other authors. We do not accept previously published work.
Submission guidelines for all genres-fiction, creative nonfiction, or writing for young people (YA), our submission guidelines are a maximum of 5,000 words. For flash writing, contributors may submit multiple pieces not exceeding 5,000 words collectively. For poetry submissions, contributors may submit 3-5 poems. For multiple submissions, contributors may submit pieces individually or as one document at their discretion.
All manuscripts should be in 12-point typeface. Fiction and creative nonfiction should be double-spaced. Poetry may be single-spaced. Please number all submission pages as well.
If you'd like to submit a short biographical blurb about yourself, please do, we'd love to know more about you, but rest assured it won't have any impact on whether or not your piece is published.
We look forward to reading your work!
To submit to Lunch Ticket, visit http://lunchticket.org/
Although the editors of Lunch Ticket share the MFA program's mission and values, our commitment is to publish the best literary writing, regardless of subject matter or theme. The theme of Lunch Ticket's debut issue is "Occupy"; however, we will be considering submissions of all thematic content for inclusion in the publication.
We accept simultaneous submissions. We only ask that you please contact us if your piece is published somewhere else so we might free up room for other authors. We do not accept previously published work.
Submission guidelines for all genres-fiction, creative nonfiction, or writing for young people (YA), our submission guidelines are a maximum of 5,000 words. For flash writing, contributors may submit multiple pieces not exceeding 5,000 words collectively. For poetry submissions, contributors may submit 3-5 poems. For multiple submissions, contributors may submit pieces individually or as one document at their discretion.
All manuscripts should be in 12-point typeface. Fiction and creative nonfiction should be double-spaced. Poetry may be single-spaced. Please number all submission pages as well.
If you'd like to submit a short biographical blurb about yourself, please do, we'd love to know more about you, but rest assured it won't have any impact on whether or not your piece is published.
We look forward to reading your work!
To submit to Lunch Ticket, visit http://lunchticket.org/
Apr 27, 2012
Open reading: Horse Less Press
Horse Less Press is currently reading chapbook & full-length book manuscripts; we'd love to see what you're doing! Complete info is available here:
http://horselesspress.com/2012/04/09/open-reading-period-kickstarter-project/
http://horselesspress.com/2012/04/09/open-reading-period-kickstarter-project/
Poetry fellowship: US Poets in Mexico
Kimiko Hahn will judge our 2013 Merida Fellowship Award. The award covers Conference fee ($600) and 7 nights lodging at Hotel Caribe in Merida for the week (total value approx. $1,020). Please submit 4 poems no more than 6 pages, 12pt Times New Roman type (do not put your name on poem pages), along with the entry Application and the $25 entry fee by check payable to U.S. Poets in Mexico,. Mail to USPiM, P.O .Box 4150, Grand Central Station, New York, NY 10163. Entries must be received by August 31st, 2012. The recipient will be announced September 30, 2012. The Fellowship recipient will give a featured half-hour reading
Visit this site to download application: http://uspoetsinmexico.org/33.html
Visit this site to download application: http://uspoetsinmexico.org/33.html
Apr 25, 2012
Poetry book contest: Augury Books
New press in New York that looks pretty cool:
We at Augury Books are delighted to announce that our Editors' Prize in Poetry will be open for submissions between May 1st–July 31st, 2012. Augury Books is an independent press based in New York City. Committed to publishing innovative work from emerging and established writers, Augury Books seeks to reaffirm the diversity of the reading public. The editorial board is dedicated to fairness and quality of work. With this in mind, Augury Books refuses to accept contest submissions from writers who are personally acquainted with the press or the judge. Authors who do have personal connections of this nature are asked to send a query letter for general publication instead.
Editors' Prize Guidelines
-The winner will receive a $750 honorarium and publication with Augury Books as well as 20 complimentary copies of the book. Additional copies can be purchased at a discounted price.
-This contest is open to anyone, except personal friends, colleagues or former students of the editors.
-Multiple submissions are accepted as long as each manuscript is submitted individually with separate reading fees.
-All entries will be considered for publication.
-Submit 40-75 pages of poetry and an acknowledgments page. Please do not include a bio.
-Entry Fee: $20
-Entries can be submitted and further information obtained at http://www.augurybooks.com/
We at Augury Books are delighted to announce that our Editors' Prize in Poetry will be open for submissions between May 1st–July 31st, 2012. Augury Books is an independent press based in New York City. Committed to publishing innovative work from emerging and established writers, Augury Books seeks to reaffirm the diversity of the reading public. The editorial board is dedicated to fairness and quality of work. With this in mind, Augury Books refuses to accept contest submissions from writers who are personally acquainted with the press or the judge. Authors who do have personal connections of this nature are asked to send a query letter for general publication instead.
Editors' Prize Guidelines
-The winner will receive a $750 honorarium and publication with Augury Books as well as 20 complimentary copies of the book. Additional copies can be purchased at a discounted price.
-This contest is open to anyone, except personal friends, colleagues or former students of the editors.
-Multiple submissions are accepted as long as each manuscript is submitted individually with separate reading fees.
-All entries will be considered for publication.
-Submit 40-75 pages of poetry and an acknowledgments page. Please do not include a bio.
-Entry Fee: $20
-Entries can be submitted and further information obtained at http://www.augurybooks.com/
Jan 23, 2012
Poetry + Comedy + Film in Columbia City
Thursday is going to be a huge night for poetry in Seattle... several events happening, including Hugo House's Cheap Wine & Poetry night as well as Hear/Art at Cafe Racer.
I'd like to invite everyone to a poetry event at the Columbia City Theater, an old jazz hall and a very lovely venue.
Poets: Evan J. Peterson and Adam Boehmer
Comedians: Danielle Radford and Elicia Sanchez
2 short films by Marie Biondolillo and Union Street Films
For more info, click here.
Hope to see you there!
I'd like to invite everyone to a poetry event at the Columbia City Theater, an old jazz hall and a very lovely venue.
Poets: Evan J. Peterson and Adam Boehmer
Comedians: Danielle Radford and Elicia Sanchez
2 short films by Marie Biondolillo and Union Street Films
For more info, click here.
Hope to see you there!
Oct 3, 2011
Icicle Creek Creative Residencies
Background
As part of Icicle Creek Center for the Arts new initiatives, we will begin to offer partially subsidized music, theatre and literature residencies beginning in the fall of 2011. Residences will be offered on a rolling basis for 1 to multiple week periods to self-directed, established local and national writers, artists and musicians looking to create new or finish existing pieces while being inspired by the natural beauty of the Icicle Creek region. ICMC will gladly accept applications from ensembles and individuals interested in single or multidisciplinary genres.
Duration of Residence
Minimum 1 - Maximum 6 weeks.
History of Organization
Retreat Accommodations
Selected residents will enjoy a private cabin on the campus of Icicle Creek Center for the Arts, furnished with bed, desk, phone, Internet, bathroom, and some of the most beautiful vistas in the region. Certain units feature a small kitchenette and are only available for longer stays (2+ weeks). In addition, residents have use of a private practice space during the day, for composition, writing, artwork, or just solitude.
The cabins are located within walking distance of a casual bistro restaurant and bar, and a short drive from the lively town of Leavenworth .
Accommodations include
• Private Cabin. 2 units feature a small kitchenette (refrigerator, stove top, microwave, coffee pot, limited kitchen utensils). Those units are are only available for guests staying 2 + weeks.
• Access to laundry services
• Weekly housekeeping service for sheets and towels
• Solo practice space
• Access to recital hall on scheduled basis for performance, reading or other event
• Internet Service
• Local Phone Service
• Admission to any Icicle Creek public events happening during your stay
• For an additional cost, access to Sleeping Lady resort amenities
Resident Fee
Icicle Creek is funded in part by individual donations, which makes it possible to offer partially subsidized artists residencies. Costs are less than $18 per-day, depending on length of stay. (Four, five and six week rates are available, please contact us for details)
$125 – One week
$250 – Two weeks
$375 – Three weeks
Application Process and Deadlines
To be considered for a Residency at Icicle Creek Music Center , all applicants must fill out the following application and return it to ICMC in its entirety. Applications deadlines are as follows: Literature and Theatre by October 10th, Music and Visual Arts by November 11th.
At the time you are selected for your residency, you will be required to provide a deposit (50% or the resident fee). This deposit is non refundable within 45 days of the agreed upon check-in date.
How to apply
If you would like to apply for an Icicle Creek Creative Residency, please visit our website at http://www.icicle.org/. If you have questions, please give us a call or email! (509) 548-6347 x409 or email - shughes@icicle.org.
The Esoterics perform Naturalia next weekend
Deirdre Lockwood, one of our own, sent me this news today; I'm happy to pass it along:
I just wanted to let you know that things worked out wonderfully in the collaboration with Christina Whitten Thomas, the composer you connected me with--thanks again so much for passing on my name to her. The Esoterics, a Seattle choir, are performing Christina's piece (setting a poem I wrote for the project), as well as many other incredible musical settings of poems about nature (including poems by Emily Dickinson and A.R. Ammons, plus many other poems in Icelandic, Japanese, Chinese, Arabic, and Russian!) in two shows in Seattle next weekend, in case you or any of the other poets are interested (I'll be out of town for a wedding but Christina will be there). Here's the info: http://theesoterics.org/Concerts/NATURALIA.aspx I went to the first show last night and it was really wonderful.
Sep 20, 2011
Dead Letters: Written Accounts of Mortality
Just a quick reminder to former students, friends, and others who've expressed interest, my next reading class, Dead Letters: Written Accounts of Mortality, begins Saturday, October 8 at Hugo House and runs six weeks.
For those who would like a detailed reading list (to preview or, if you've already signed up, to get started), I have a course page here: http://encke.org/dead-letters-written-accounts-of-mortality/
Please pass this information along to friends and let me know if you have any questions.
Jeff
Sep 10, 2011
Call for submissions: Kweli
Finally a smart and well curated literary space for writers of color that encourages experimentation. A place to commune. A place to read new contemporary voices that deserve our attention. Bravo! Angie Cruz, author of Soledad and Let It Rain Coffee, a finalist for the Impac Dublin Award in 2007. Kweli has featured the prose of Jeffery Renard Allen, Angie Cruz, Victor LaValle and Nelly Rosario, . . . the poetry of Santee Frazier, Lorna Goodison and John Murillo, . . . and photo essays by Thomas Sayers Ellis, Rachel Eliza Griffiths and Emily Raboteau.
Upcoming issues will feature Jennine Capo Crucet, Camille Dungy, Amaud Johnson and Aaron Michael Morales.
Add your voice. Share your visions. Join us.
* * *
SUBMISSION GUIDELINES
Our next reading period: July 16, 2011 to September 16, 2011
Submit your work to:
http://kwelijournal.submishmas/h.com/
Visit http://www.kwelijournal.org/ for details.
Payment is upon publication.
Upcoming issues will feature Jennine Capo Crucet, Camille Dungy, Amaud Johnson and Aaron Michael Morales.
Add your voice. Share your visions. Join us.
* * *
SUBMISSION GUIDELINES
Our next reading period: July 16, 2011 to September 16, 2011
Submit your work to:
http://kwelijournal.submishmas/h.com/
Visit http://www.kwelijournal.org/ for details.
Payment is upon publication.
Sep 8, 2011
Sep 16 reading at Elliott Bay Books: Arlene Kim and Anne Overstreet
From Arlene:
You—yes, you!—are invited to my book launch at Elliott Bay Books (1521 10th Ave, Seattle—in Cap Hill) on Sep 16, Fri, 7:00pm. I'll be reading from my new collection of poems, What have you done to our ears to make us hear echoes?, along with friend/fellow poet Anne Overstreet, who also has a book of poetry just out, Delicate Machinery Suspended. (Psst: secret little handmade goodies for anyone who buys a book at the reading.)
<!--Event details: https://www.facebook.com/event.php?eid=224539664265163
<!--Elliott Bay Books event info :http://www.elliottbaybook.com/node/events/sep11/kim
<!--About me, the book: http://tinyurl.com/AKbioAmazon
Aug 31, 2011
Writing classes for women
Fall 2011 - "Poeming the Silence," Thursdays Oct 13 - Nov 17, 10 am - noon. Greenwood Senior Center, Contact Center.
My Tues night class is now open for new members, 7-9 pm. Contact me directly.
My Tues night class is now open for new members, 7-9 pm. Contact me directly.
Aug 23, 2011
Call for submissions: [out of nothing]
(this one I kinda dig...JE)
[out of nothing], an electronic publication interested in new works in image, sound, text, and the intersections between these media, is now open to submissions for its sixth issue: "in the mirror, a sleep, a spectral nothing."
Please submit your textual, aural, visual, poly/ambi-medial work to us at <shelling.peanuts(at)gmail.com> [replace (at) with @].
Deadline: October 31, 2011
Complete submissions guidelines are available at: http://www.outofnothing.org/mirror/
Prospective contributors would be well-advised to consult our earlier publications at http://www.outofnothing.org/ as a guide to the type of work we're interested in: to supplement this understanding and ideally stimulate your thinking about a new piece made particularly to address the issues that consume, or rather, are consumed by us, we offer the following potential topics:
> the vacuum
> salvage / remainders
> imaginary spaces possessed of imaginary dimensions
> darkness / lightlessness
> reduced or infinitesimal means
> the exponential
> self-abnegating symbols
> the blank
> obliteration
> the inconsequential
> refusal
> the contentless / general contentlessness
> the generic and / or undifferentiated and / or the contra-original
> adhesive agents in search of clients to bind
> none of the above or below
Electronic submissions only. Please allow 3 - 6 months response time.
Eds., [out of nothing]
[out of nothing], an electronic publication interested in new works in image, sound, text, and the intersections between these media, is now open to submissions for its sixth issue: "in the mirror, a sleep, a spectral nothing."
Please submit your textual, aural, visual, poly/ambi-medial work to us at <shelling.peanuts(at)gmail.com> [replace (at) with @].
Deadline: October 31, 2011
Complete submissions guidelines are available at: http://www.outofnothing.org/mirror/
Prospective contributors would be well-advised to consult our earlier publications at http://www.outofnothing.org/ as a guide to the type of work we're interested in: to supplement this understanding and ideally stimulate your thinking about a new piece made particularly to address the issues that consume, or rather, are consumed by us, we offer the following potential topics:
> the vacuum
> salvage / remainders
> imaginary spaces possessed of imaginary dimensions
> darkness / lightlessness
> reduced or infinitesimal means
> the exponential
> self-abnegating symbols
> the blank
> obliteration
> the inconsequential
> refusal
> the contentless / general contentlessness
> the generic and / or undifferentiated and / or the contra-original
> adhesive agents in search of clients to bind
> none of the above or below
Electronic submissions only. Please allow 3 - 6 months response time.
Eds., [out of nothing]
Astounding Beauty Ruffian Press: Chapbook Contest
http://home.earthlink.net/~astoundingbeautyruffianpress/
The prize for our 2011 poetry chapbook contest is:
$10,000 and publication of the winning manuscript
Unprecedented in the history of chapbook competitions, our cash award for the winning manuscript in 2011 is $10,000. In 2012, our cash prize will revert to $1,000. If we are ever able to scrape together another $10,000, our plan is to offer that amount as a prize once again. : )
Astounding Beauty Ruffian Press 2011 Poetry Award
for a chapbook-length manuscript
May 1 - August 31, 2011 (postmark date)
Please submit:
10-20 pages of original poetry not already published, or committed to be published, as a collection
by a single author
English only, no translations
no more than one poem per page (however, a single poem may be longer than one page), typed in 12 pt. plain font
no artwork
include a table of contents
please number pages
one title page with poet's name, address, telephone number, email, and title of
manuscript and a second title page with title only
biographical page (ONLY because we are interested in you as a person)
acknowledgements page
$20 entry fee, checks made payable to Astounding Beauty Ruffian Press and drawn on a U.S. bank - if you live outside the United States, please send the entry fee in the form of a cashier's check or money order
absolutely no paper clips, spring clips, staples, plastic covers, or folders -
we would rather not have to bother with these things, so don't waste your
supplies
Do not include a SASE - winner will be announced on our website in the fall of 2011.
Manuscripts will be recycled.
Send by regular, first-class mail only:
Astounding Beauty Ruffian Press
Poetry Award
2155 Elk Creek Rd.
Stuart, Virginia 24171
***Authors may submit as many manuscripts as they like, but each must be accompanied by a check or money order for the $20 reading fee.
The prize for our 2011 poetry chapbook contest is:
$10,000 and publication of the winning manuscript
Unprecedented in the history of chapbook competitions, our cash award for the winning manuscript in 2011 is $10,000. In 2012, our cash prize will revert to $1,000. If we are ever able to scrape together another $10,000, our plan is to offer that amount as a prize once again. : )
Astounding Beauty Ruffian Press 2011 Poetry Award
for a chapbook-length manuscript
May 1 - August 31, 2011 (postmark date)
Please submit:
10-20 pages of original poetry not already published, or committed to be published, as a collection
by a single author
English only, no translations
no more than one poem per page (however, a single poem may be longer than one page), typed in 12 pt. plain font
no artwork
include a table of contents
please number pages
one title page with poet's name, address, telephone number, email, and title of
manuscript and a second title page with title only
biographical page (ONLY because we are interested in you as a person)
acknowledgements page
$20 entry fee, checks made payable to Astounding Beauty Ruffian Press and drawn on a U.S. bank - if you live outside the United States, please send the entry fee in the form of a cashier's check or money order
absolutely no paper clips, spring clips, staples, plastic covers, or folders -
we would rather not have to bother with these things, so don't waste your
supplies
Do not include a SASE - winner will be announced on our website in the fall of 2011.
Manuscripts will be recycled.
Send by regular, first-class mail only:
Astounding Beauty Ruffian Press
Poetry Award
2155 Elk Creek Rd.
Stuart, Virginia 24171
***Authors may submit as many manuscripts as they like, but each must be accompanied by a check or money order for the $20 reading fee.
Aug 20, 2011
Voices in Space (VIS)
Voices in Space (VIS) is a free literary forum on which writers and poets—no matter how experienced— may post their work and get feedback from a wide array of impartial critics, i.e., the community of users. Authors also have the ability to workshop their writing on the site, track the evolution of their writing, and gauge how changes to a work are received by their audience.
VIS’s mission is to provide writers of all levels exposure for their work while attracting the constrictive criticism they need to hone their craft. To learn more, please take a moment to browse the site, www.voicesinspace.com, or visit our “How We Work” page, www.voicesinspace.com/how_we_work.
Happy versing!
-The VIS Team
Aug 7, 2011
Two readings: Patricia Killelea (August 9 and 13)
Patricia Killelea will read poems from Other Suns at The Elliot Bay Book Company (1521 Tenth Avenue Seattle) on Tuesday, August 9 @ 7 p.m. and for the Poets West Reading Series (Green Lake Branch Seattle Public Library, 7364 E Greenlake Dr. N, Seattle) on Saturday, August 13 at 4 p.m. Other Suns is her first poetry collection. Find out more at http://www.patriciakillelea.com/
Aug 5, 2011
Engaging Diverse Youth in Creative Programming
| Time | Wednesday, August 17 · 12:00pm - 4:00pm |
|---|---|
| Location | Beacon Hill Library (Free parking. Served by Metro Buses 36, 38, & 60 & the Beacon Hill Light Rail Station) 2821 Beacon Ave S. Seattle, Washington |
| Created By | |
| More Info | The Cross Cultural Health Care Program, the Office of Minority Health, and Within Reach are pleased to announce the second event in the 2011 Can You Hear Me? Speaker Series. Need inspiration and support for your work? New to the field? Come get some great ideas and meet new colleagues! Panelists will include individuals in creative youth programming focusing on the arts, health care, mental health, and community wellness. We will discuss projects involving diverse youth, outreach ideas, how to stay alive in a hard economy, and more! 12:15 – 1:00 pm – Optional brown bag & networking. Bring lunch. We’ll provide drinks & dessert. 1:00 – 4:00 pm – Panel discussion. Free and open to the public! Limited Seating. RSVP to Nimisha: ccprograms@xculture.org | 206.860.0329 For accommodations, please inquire prior to the event. |
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